Many
years ago, in a period of my life when I was feeling particularly lonely,
dissatisfied with my work, and uncertain about the future, I found myself
thinking a great deal about the story of Lazarus. Instead of drawing hope from
Lazarus’ triumphant rise from the dead, I felt no great solace. In fact, much
the opposite.
I
decided to explore these feelings in a poem. I wrote a rather cynical sonnet in
the voice of Lazarus. What if Lazarus didn’t especially want to return to the
dust and drudgery of daily life, I asked. What if he preferred the
soundlessness of the grave to the bickering voices of his sisters? What if he
chose the dreamland of death over the discontent of a poor man’s life? “No one
asked me if I wanted to return,” Lazarus says in my poem. He contemplates the
“cruel trick” he is asked to endure. He is the only human being in history who
must live and die twice.
There
are many ways to read the Lazarus story. On one level, it foreshadows Christ’s
imminent crucifixion and subsequent resurrection. It offers one of the clearest
portraits of Jesus’ compassion, driven home by the phrase, “And Jesus wept.” It
presents us once again with a chance to identify with the clueless disciples
who seem incapable of comprehending the amazing events they witness. And it
gives us a chance to smile at the distinctions between practical Martha and the
ethereal Mary (Mary prays at her brother’s wake; Martha worries about the
stench of death).
Once
again this Lent, I find myself thinking of Lazarus, but this time in a totally
different context. Imagine for a moment just the physical journey the poor
fellow faced. There he lies, ensconced deep within the earth in a cave sealed
with a stone. His cadaver is not only wrapped from head to toe in burial cloth,
he even has a kerchief covering his face. Think of him hearing Jesus’ call to
“Come out!” Picture him following the sound of that voice, feeling his way
gingerly along the dirt walls of the cave in absolute darkness.
In
the course of that underground journey, he must have felt as though he was
passing through yet another eternity. (Think about of how slowly time seems to
pass when we are caught in traffic and anxious to arrive at our
destination). Finally Lazarus reaches the end of the tunnel. Perhaps his eyes
can sense the intense desert sun even through his burial cloths. In that light,
the first voice he hears is a familiar one, that of Jesus. “Untie him
and set him free.”
At
this stage in my life, I doubt I’d write the kind of poem I did when I was
younger, questioning Lazarus choice to journey from death back to life. What
the Lazarus story says to me today is that life is worth that slow uncertain
slog through darkness. It spurs me to consider what ties me in place, what
makes me unseeing. Is it my propensity to work too hard? My lack of
attentiveness to the sacred all around me? My hoarding of grudges, my inability
to let go of hurts, my constant questioning of my own self-worth? This Lent, I
vow to peel off the psychic burial cloths of my own making, the soiled rags
that bind me in place. There is someone calling to me at the end of my
emotional burial ground. Someone who wants to lead me out of blindness, to
untie me and set me free. What ties do you need to loosen?
What burial cloths are binding you in place?
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